For Home
By Roger May
“What will you do for your hills, You mountain boy?”
I moved back home at the end of January this year. It was a tumultuous time in my personal life, never mind the charged political landscape of both the nation and state. My last day of work in North Carolina was a Friday and I had my car loaded so I could leave and drive straight to West Virginia. Monday morning, I was first in line at the DMV in Princeton to get my drivers license.
Not just a driver’s license, but a West Virginia driver’s license. The woman at the desk told me she’d never seen anyone as excited as me to stand in line at the DMV.
Over the course of my first few weeks, I watched the president sign executive orders that repealed regulations designed to protect the coalfields of central Appalachia. I attended an ill-publicized town hall meeting with Senator Joe Manchin (who refers to West Virginia as the Extraction State rather than the Mountain State) in Peterstown.
When it was time for questions, I raised my hand first and asked him to look me in the eye and tell me, as a West Virginian, how he could vote to confirm Scott Pruitt as head of the EPA. Although he did look me in the eye, the next seven minutes were dedicated to everything but answering my question.
So why come home now? I believe in West Virginia.
A person close to me once told me West Virginia was in my DNA. I know I’m not alone when it comes to this place being woven into the very fiber of my existence, of who I am. I have never encountered prouder people in all the places I’ve traveled in the world. And I mean the kind of pride a mother has for a son, not the kind of pride the Bible warns us about.
I believe in West Virginia despite being told at an early age that if I wanted to make something of myself I had to move away. I believe in West Virginia because we are more than extraction state. I believe in West Virginia because I owe to it my forebears and my children. I believe in West Virginia because my inheritance, our inheritance, is more than surface-mined mountains, valley fills, polluted streams, and being ranked at the bottom of too many lists. I came home to West Virginia to fight for the future.
Our young folk are tired of not being heard. They’re tired of being told what’s best for them, where they should go, why they should stay, and they’re tired of not having a place at the table. They’re tired of being talked at. My granddad, Richard Watson of Chattaroy, once told me that I have two ears and one mouth and that meant I should listen twice as much as I speak. I came home to West Virginia to listen to young folk.
Our forebears, whether they marched and organized or wrote songs and taught school and stood for what’s right, showed us a way forward. They created hope in times that were dark and sometimes bloody. I came home to West Virginia to honor my forebears.
In 2014, I photographed the aftermath of the Freedom Industries chemical spill in the Elk River for The Guardian. After working for three days, I got in my car and drove 300 miles back to North Carolina, to clean water, and to a place where hardly anyone knew about the spill. I struggled with leaving and with not doing more. I came home to West Virginia to do more.
I came home to West Virginia because I couldn’t not come back. Kentucky writer Bell Hooks wrote in her beautiful essay To Be Whole and Holy, “Hence we return to the unforgettable home places of our past with a vital sense of covenant and commitment.”
I now have the incredible opportunity to direct the Appalachian South Folklife Center in Pipestem, West Virginia. Founded by Don and Connie West in 1965, the ASFC was founded to educate young people about their mountain heritage and to focus on “the restoration of self-respect and human dignity lost as a consequence of the region’s colonial relationship with industrial America.”
We didn’t get here overnight and we won’t get out of this overnight. There is no quick fix, no easy button, no campaign promise to fix what is broken. What remains is you and me. What is possible is what we choose to do. In Don West’s poem Mountain Boy, he writes, “What will you do for your hills, You mountain boy?”
What will you do for home?
Editor’s note – For a look at what greed and corporate dominance as done, specifically to West Virginia, watch “Blood on the Mountain” now streaming on Netflix.
“With an impressive historical scope, “Blood on the Mountain” is a documentary with information that rhymes, of workers who themselves become destroyed natural resources, often at the greed of political and industrial figures who render miners and their families as disposable..” Nick Allen at RogerEbert.com
It is a document of the greed and callousness of corporations and politicians that have exploited and then abandoned not just Appalachia but also the South in areas like Cancer Alley; the Southwest with contamination of the land of the Navajo Nation, Arizona, New Mexico by uranium and copper mining; and the destruction of Northern California’s forest lands, to name but a few.
Bravo, Roger!
I’m a veteran of the Student Nonviolent Coordinating, a Saul Alinsky organizing project, and 50 more years of community organizing. You might find some of the things I’ve written about all this of use. Check out: to see.
Mike Miller
Don West’s Folklife Center in Pipestem is where I spent the summer of 1969, between junior and senior years of high school, and where I became radicalized, became aware of the campaign by the Miners For Democracy candidates in the United Mine Workers of America union, and the rest is history. It is a very special place and I am glad to see it continues and grows.
The Folklife Center’s website history page pulled its punches a little by not reporting that West was either a member of the Communist Party, or so close as to be, which made him an even more remarkable Son of the Mountain. There was one wild night in July 1969 when a group of armed, torch-carrying Klan members came to burn us all out. Don had organized his neighbors in preparation for the event that he found out was going to happen at midnight, so that the moment the Klan moved to enter the land, a group of shotgun-wielding neighbors stepped out of the darkness and the Klan saw they were outnumbered, and they left…
The music festival that year (1969) was just the second to be held and it was an amazing gathering of musicians – fiddles, banjos, guitars – of regular people who had been playing all their lives in the mountains.
It was with a group of young people from the American Friends Service Committee in Pipestem that summer that I participated in my political march in November 1969 – the huge anti-Vietnam war march up and down Pennsylvania Avenue. The Folklife Center launched me on the path I still walk today….